Guerrilla theatre is a form of theatrical protest popularised in America in the 1960s by the San Fransisco Mime Troupe. Commedia dell’Arte and satire were actually the group’s principal modes of performance, not mime. At its purest, guerrilla theatre was left-wing political activism in the form of avant-garde performance in non-traditional spaces such as public parks and sidewalks.
Magical realism (sometimes referred to as magic realism) is a term first used in the art world by German critic Franz Roh (1925) and later in literature by Cuban author Alejo Carpentier (1949). Characteristics of the genre typically include the coexistence of the real and the fantastical, the natural and the supernatural, the normal and magical worlds. In magical realism, elements of fantasy are accepted.